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-The artistic conception is profound and long: the poem creates a unique artistic conception that is both sad and full of hope. Starting from the picture of falling flowers flying, it is a slightly sad scene brought by dying and disappearing, which makes people seem to see colorful petals rustling in the wind, silent and lonely. This is the presentation of the real scene in front of them and lays a certain emotional tone. However, at the turn of the conversation, the imagination of the fallen flowers melted into the soil and turned into nutrients to nourish the new flowers, which added a touch of vitality and hope to this picture, making the whole artistic conception flow between decline and rebirth, disappearance and continuation, with endless charm, so that readers can expand their thoughts and immerse themselves in this profound and poetic situation in the process of reading.Structural action level-The meaning is profound and unique: "Turning into spring mud is more protective of flowers", which shows that the fallen flowers do not fall without feelings. Even if they fall into mud, they should turn into spring mud that nourishes the growth of flowers, continue to protect and cultivate new flowers to bloom, show a noble feeling of selfless dedication and self-sacrifice, and at the same time convey the profound philosophy that although life has an end, spirit and value can be continued and transformed.

Artistic technique level-Conforming to traditional values: In China's traditional culture, there has always been the idea of "helping the world if you are up to speed, and protecting yourself if you are poor", as well as the value orientation of advocating dedication and paying attention to spiritual inheritance. Gong Zizhen's poem fits in well with this cultural background. He still chooses to practice the concept of "helping the world at the same time" in another way when he is frustrated personally and can no longer directly display his ambition in the officialdom. He shows the spiritual quality of selfless dedication by self-metaphor, which echoes the feelings of home and country and the sense of responsibility held by people with lofty ideals throughout the ages. Therefore, this poem can arouse widespread resonance and is deeply loved and respected by people.

-The artistic conception is profound and long: the poem creates a unique artistic conception that is both sad and full of hope. Starting from the picture of falling flowers flying, it is a slightly sad scene brought by dying and disappearing, which makes people seem to see colorful petals rustling in the wind, silent and lonely. This is the presentation of the real scene in front of them and lays a certain emotional tone. However, at the turn of the conversation, the imagination of the fallen flowers melted into the soil and turned into nutrients to nourish the new flowers, which added a touch of vitality and hope to this picture, making the whole artistic conception flow between decline and rebirth, disappearance and continuation, with endless charm, so that readers can expand their thoughts and immerse themselves in this profound and poetic situation in the process of reading.-Conforming to traditional values: In China's traditional culture, there has always been the idea of "helping the world if you are up to speed, and protecting yourself if you are poor", as well as the value orientation of advocating dedication and paying attention to spiritual inheritance. Gong Zizhen's poem fits in well with this cultural background. He still chooses to practice the concept of "helping the world at the same time" in another way when he is frustrated personally and can no longer directly display his ambition in the officialdom. He shows the spiritual quality of selfless dedication by self-metaphor, which echoes the feelings of home and country and the sense of responsibility held by people with lofty ideals throughout the ages. Therefore, this poem can arouse widespread resonance and is deeply loved and respected by people."Falling red is not a heartless thing, but turning into spring mud protects flowers more" comes from Gong Zizhen's "Ji Hai Za Shi, the fifth" in the Qing Dynasty. The following is an appreciation of this poem: